剧情简介
这是一部半自传体的电影，改编自Arrabal自己的小说Baal Babylon。它讲述的是西班牙内战期间一个小男孩寻找自己被捕的父亲的故事，这个故事非常暴力、残酷和超现实。当小男孩得知是母亲把父亲作为左翼分子出卖后，他开始想象父亲的命运。电影充满怪诞的暴力和性，被认为是前卫派的一个宣言，也因无节制的令人不快的镜头而为人责骂。
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兽性
欧莱雅·阿玛拉,Damien Rebattel,Vivien Rodriguez,Claude Chaballier,Elies-Morgan Admi-Bensellam,Pierre Roux,Marinette Rafai,Renaud Vinuesa,Benjamin Cuillé,Philip Chabanon,Cendrine Lapuyade,Vincent Ribera,Bruno Séguier,Jacques Valentin卡马尔格，法国——内吉玛正在努力训练，以赢得当地的斗牛比赛。然而，在一次庆祝活动后，她被牛袭击，开始注意到一些令人不安的变化。与此同时，一头失控的公牛在社区中横行，导致年轻男子接连丧命，令居民们感到恐慌。
逃离夺命岛
克里斯·辛普曼,格兰特·舒马赫,詹姆斯·里德尔After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼马智多星
林子祥,麦嘉,泰迪·罗宾,姚炜,曹达华,岑建勋,曾志伟30年代的香港，社局动荡，黑帮林立。香港大亨胡老头这日找到私家侦探哎吆（林子祥 饰），要求其调查胡太太，因为他觉得胡太太这些天表现奇怪。哎吆调查后发现，原来是坏蛋神父卡邦派（麦嘉 饰）人勾搭上了胡太，意欲偷取胡老头价值连城的股票。他们这一计划遭哎吆撞破后，四处追杀哎吆。 哎吆亡命之际，又发现了胡老头其实并非什么香港大亨，只是一名老千，他来香港的目的就是要骗卡邦等流氓的钱。胡老头邀请哎吆入伙，一起设局骗卡邦。和好友探长罗宾（泰迪•罗宾 饰）商量后，哎吆决定来个将计就计。
奇幻之家
赵文琪,李琦,斯琴高娃,颜勤,徐日东升,宋祉璇,来喜,天赐,张明明,孟繁淼,马国芯,吴一熳,徐日光耀,张韶洁,赵溦,宋牧晨,王庆峰,李时雨,孙悦一支家庭乐队，其中心是热爱唱歌的年轻人张寓哲（徐日东升 饰），他与父亲张皓（李琦 饰）爷爷张宏民（颜勤 饰）一同准备参加家庭才艺大赛。然而，一场意外的奇怪风暴却改变了一切，在前往济南的比赛途中，他们遭遇了闪电雷击，引发了一次离奇的身体互换。这场突如其来的变化将他们卷入了一系列惊险和尴尬的境地，需要他们适应对方的生活和角色。与此同时，单身母亲李芳玲（赵文琪 饰）和她的女儿李蓝蓝（宋祉璇 饰）也在前往同一家庭乐队大赛。两个家庭在奇怪的巧合下相遇，他们决定将这个突如其来的情况变为机遇，临时合并成一个全新的家庭乐队。这个组合的形成不仅是音乐的融合，更是情感、人际关系和亲情的交织。
不可饶恕2013
渡边谦,柄本明,佐藤浩市,柳乐优弥,忽那汐里,小池荣子,国村隼,近藤芳正,小泽征悦,三浦贵大,滝藤賢一结束了德川幕府的统治，明治政府巍然确立。当年叱咤风云的“刽子手”釜田十兵卫（渡边谦 饰），作为幕府余党在荒芜寒冷的北海道过起隐姓埋名的生活。他当年对亡妻许下封印杀人刀的约定，通过劳作养活自己和两个孩子，但残酷的生存环境仍让他感到力不从心。这一日，十兵卫当年的战友马场金吾（柄本明 饰）前来造访。原来附近一座小镇上，美丽的妓女夏目（忽那汐里 饰）被粗暴的女人毁容，但是警察署长大石一藏（佐藤浩市 饰）却包庇纵容。夏目的同伴们凑钱寻找赏金杀手，无奈胆敢来犯的人们均被大石残暴摧折。为了改善孩子们的生活，十兵卫和马场上路，并在路上结识了怀着同一个目标的阿伊努族青年（柳乐优弥 饰）。三人一路同行，等待他们的将是未知的命运…… 本片翻拍自克林特·伊斯特伍德的同名之作。
跨国银行
克里夫·欧文,娜奥米·沃茨,阿明·缪勒-斯塔尔,乌尔里奇·汤姆森,布莱恩·F·奥博恩规模庞大几乎盘踞全球的跨国银行IBBC在这个钱权主宰的社会里简直无所不能，它不仅操控着各国经济，牵制着政府的决策，甚至参与洗钱、贩卖军火、勒索绑架等各种黑道行动，它就像一只大章鱼将触角伸向黑夜的每个角落。国际刑警路易斯·塞林格（克里夫·欧文 Clive Owen 饰）目睹同事因企图泄露银行机密而遭遇暗杀，他决意受命前往柏林彻查IBBC洗钱内幕，得益于另一位正义者副检察官埃莉诺·惠特曼（娜奥米·沃茨 Naomi Watts 饰）的同行协助，两人很快发现了跨国银行更多鲜为人知的非法活动，甚至包括资助恐怖分子和发动战争。两人决心揭露跨国银行的真实面目，然而，无所不知的IBBC早已注意到这两只蝼蚁，杀手随即派到，路易斯和埃莉诺最终能否赢得这场螳臂当车的生死周璇？