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告别武器
海伦·海丝,加里·库珀,阿道夫·门吉欧,玛丽·菲利普斯,杰克·拉鲁,布朗什·弗雷德里克,玛丽·福布斯,吉尔伯特·埃默里,爱丽斯· 亚岱尔,亨利·阿尔梅塔,赫尔曼·宾 ,Agostino Borgato,Robert Cauterio,玛塞勒·科尔代,基诺·科拉多,George Humbert,威廉·欧文,多丽丝·劳埃德,弗雷德·马拉泰斯塔,保罗·波尔卡西,Tom Ricketts,Frederick Sullivan鸣枪警告
David Spade,詹姆斯·厄尔·琼斯,弗兰克·威利草莓之夜2013
竹内结子,西岛秀俊,小出惠介,宇梶刚士,丸山隆平,津川雅彦,渡边一计,远藤宪一,高岛政宏,生濑胜久,武田铁矢,染谷将太,金子统昭,金子贤,鹤见辰吾,石桥莲司,田中哲司,三浦友和,大泽隆夫,横山美雪线人1973
罗伯特·米彻姆,彼得·博伊尔,理查德·乔丹,史蒂文·基茨,阿历克斯·罗克,乔·桑托斯,米奇·瑞恩,Peter MacLean,凯文·欧莫里森,Marvin Lichterman,卡罗琳·皮克曼,詹姆斯·托根,玛格丽特·拉德,马修·考尔斯,Helena Carroll,杰克·基欧,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson金刚的逆袭
宝田明,罗兹·利森,滨美枝,琳达·米勒,天本英世她不是我妈妈
Artika Sari Devi,奥罗拉·里贝罗,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka同类精选
佐藤妻夫物语
岸井雪乃,宫泽冰鱼,藤原樱,三浦獠太,田村健太郎,前原滉,山本浩司,八木亚希子,中岛步,佐佐木希,田岛令子,柳原晴郎绑架
保罗·皮耶罗邦,福斯托·鲁索·阿莱西,芭芭拉·朗奇,Enea Sala,莱昂纳多·马尔特斯,菲利波·蒂米,法布里齐奥·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韦尔尼齐,Aurora Camatti,保罗·卡拉布雷西,布鲁诺·卡里诺,Renato Sarti,Fabrizio Contri,费德里卡·弗拉卡西,查士丁尼·阿尔皮,亚历山德罗·班迪尼,James Basham,Leonardo Bianconi狂鲨风暴
菲比·黛内芙,杰曼·翰苏,科斯塔·德安杰洛,马特·纳夫莱,惠特尼·皮克,艾莉拉·布朗,史泰西·克劳森,以利亚·昂格瓦里,安德鲁斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·汉森狗舍
丹尼·戴尔,诺埃尔·克拉克,埃米尔·马尔娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科尔,特里·斯通,尼尔·马斯克尔,埃米莉·布思,斯蒂芬·格拉汉姆,杰西卡-简·斯塔福德,阿黛尔·秀娃,Zac Mattoon O'Brien,玛丽·塔姆,比利·穆瑞,艾丽森·卡洛尔,珍娜·古德温,妮娜·艾尔斯地狱无泪
卢克·拜恩斯,格温·范·丹,塔蒂安娜·马尔贾诺维奇,奥德莉·尼尔,加里·卡斯帕,艾瑞克·费洛斯,温·赖克特重返侏罗纪
古铭瀚,杨雪,毛凡,张永华,马群雄影视排行
地球浩劫
肖恩·康纳利,娜塔莉·伍德,卡尔·莫尔登After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下世界
乔治·班克罗夫特,艾弗琳·布伦特,克里夫·布洛克,弗莱德·科勒,海伦·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero依据1922年的凶杀案改编，描写贩卖私酒的匪帮和警方角力的故事。影史第一次以盗匪当主角，运用背面打光和烟雾，颇具艺术风格，广受欢迎，也预示40年代黑色电影的来临。
远山淡影2025
广濑铃,二阶堂富美,吉田羊,卡米拉·爱子,松下洸平,三浦友和,柴田理惠,渡边大知,铃木碧樱1982年，英国。一位年轻有抱负的日英混血作家准备书写其母亲——1952年，英国。战后移英的日本妇人悦子，因长女自杀而忆起在长崎的最后一段时光。悦子与妇人幸子相遇，幸子也准备和女儿出国，对新生活翘首以待。然而，作家在拼凑线索及母亲的记忆碎片时，渐渐发现母亲的记忆与现实相左.…..石川庆改编诺贝尔文学奖得主石黑一雄早年同名原著，双线刻划战后女性挣扎求存之境，表面平静实质波澜不休，折射出大时代下压抑而沉重的集体记忆与痛苦。