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不允许带狗
卡洛·克拉姆林,罗宾·桑德曼,卡塔琳娜·玛丽·舒伯特,斯蒂姆拜尔·蒙克,比内塔·汉森,肖恩·道格拉斯,萨米·施赖恩,维拉·菲,丽莎·里斯纳,奥勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉尔夫·霍尼克,弗兰茨·费迪南德·克劳斯,卡特娅·乌菲尔曼,芬雷·德亚文十五岁的加博，表面过着平凡简单的青少年生活，背后却隐藏着不可告人的秘密—-他恋上好友的弟弟，而弟弟只有八岁！他在网上论坛寻求建议，试图抑制恋童欲望，因而结识了恋少年经验丰富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方调查，加博终于不得不面对一场自我审问：他到底是受害人，还是施害者？改编自真实事件，来自德国的史蒂夫.巴赫大胆直面禁忌话题，以敏锐成熟的笔触，探问生活与社会规范怎样塑造了今时今日的我们。
利欲两心
马修·麦康纳,阿尔·帕西诺,蕾妮·罗素,阿曼德·阿山特,杰里米·皮文,杰米·金,凯文·查普曼一次偶然中，布兰登（马修·麦康纳 Matthew McConaughey 饰）发现自己竟然拥有一项如此神奇的特异功能——他能够准确预测出每周末举行的橄榄球比赛的结果。这一能力彻底扭转了布兰登失意而又颓废的生活，同时也将他卷入了金钱和利益所构造的漩涡之中。 沃特（阿尔·帕西诺 Al Pacino 饰）经营着一家体育顾问公司，布兰登的神奇能力在他的眼中无异于是一根点石成金的魔杖。野心勃勃的他找到了布兰登，千方百计的说服了后者加入了他的公司。从此，沃特的事业扶摇直上，布兰登也在沃特的身上找到了亲情和友情。但随着布兰登的能力的逐渐流逝，他和沃特之间的关系也开始了动摇。两人心中都有各自的想法，而最终的赢家只有一个。
战栗驱魔
汉娜·邦·本兹,迪恩·基尔贝,Nicholas AnscombeAn exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.
（情歌）
森崎温,向井康二,及川光博,藤原大祐,齐藤京子,逢见亮太,筒井真理子,皮拉维·塔奇沙鹏,查隆拉·诺山荣,普雷瓦·苏坦蓬被突然的任命令从东京派遣到海外工作的研究员·想太（森崎温 饰），在曼谷与学生时代一直暗恋的凯（向井康二 饰）再会。看到在泰国作为摄影师兼音乐人活跃的凯的身影，内心产生了动摇。另一方面，小凯也对学生时代唱过的“未完成的歌”感到惊讶。将两人联系在一起的歌声再次在心中响起……
挫败的人生劫案
凯瑞·克劳利,布里德·布伦南,Eva-Jane Gaffney,肖恩·T·O·米尔莱,Marcus Lamb,阿特·帕金森,Naseen Morgan,Niall Mac Eachmharcaigh,Brid Ní Chumhaill,Christopher Grant,Eoghan Mac Giolla Bhrighde是被过去塑造的囚徒，还是自我命运的缔造者？故事以抢劫失败后的悲剧开场。一位濒临崩溃的偏执女子，带领两名同伙抢劫了爱尔兰农村信用社，但计划漏洞百出。事态不断失控，随着时光倒流，那些无法逃离的记忆如同锁链，不仅将她们拖入深渊，更将身边人卷入致命漩涡。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster