日夜激情 Tag und Nacht

⭐ 3.0 播放:87万 2026-04-29

阿丽(安娜·罗特 Anna Rot 饰)和汉娜(玛格达莱娜·克隆施拉格 Magdalena Kronschläger 饰)是通过出卖她们的身体来换取金钱的妓女,阿丽已经是一个老司机了,可是丽莎初来乍到,两人约定谁也不许先退出这门生意,她们要做一条绳子上的蚂蚱。 平日里,丽莎是一名正在研习表演课程的学生,随着时间的推移,越来越多的工作让丽莎渐渐的感到力不从心,有一天,丽莎接待了一位非常变态的顾客,感到恐惧的她打破了曾经和阿丽之间许下的约定,决定就此金盆洗手。丽莎不干了没多久,阿丽也不想干了,而可以证明她和丽莎从前的那段疯狂的时光的,只有一张单薄的照片而已。

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剧情提要

阿丽(安娜·罗特 Anna Rot 饰)和汉娜(玛格达莱娜·克隆施拉格 Magdalena Kronschläger 饰)是通过出卖她们的身体来换取金钱的妓女,阿丽已经是一个老司机了,可是丽莎初来乍到,两人约定谁也不许先退出这门生意,她们要做一条绳子上的蚂蚱。 平日里,丽莎是一名正在研习表演课程的学生,随着时间的推移,越来越多的工作让丽莎渐渐的感到力不从心,有一天,丽莎接待了一位非常变态的顾客,感到恐惧的她打破了曾经和阿丽之间许下的约定,决定就此金盆洗手。丽莎不干了没多久,阿丽也不想干了,而可以证明她和丽莎从前的那段疯狂的时光的,只有一张单薄的照片而已。

幕后花絮

我们很危险

西南偏南电影节剧情片竞赛。                                                                        Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster