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让·雷诺,丽姆·柯里奇,卡米尔·查莫,帕斯卡·德莫隆,亚力克西斯·马沙利克,布鲁诺·桑切斯,娜塔丽娅·沃拜克,洛朗·巴图,让·雷恩斯巴黎谍影
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Julie Benz,Fionnula Flanagan,Belle Shouse导演精选
任务迷走72小时
一个手握政府机密的AWOL海军成员正被俄国特工和一个危险的杀手追缉
与王生活的男人
1457年的清泠浦,一场注定失败的守护,一段永被铭记的情谊。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster