俏小子
《俏小子》线上看,由导演,等演员领衔主演,影片主要讲述了俏小子,俏小子"
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虎影
斋藤工,芳贺优里亚,しいなえいひ,津田宽治,石川树,鸟居美雪,島津健太郎,三元雅芸,清野菜名,水井真希,屋敷纮子,三田真央,松浦りょう,仁科贵,村杉蝉之介,清水崇六年前,拥有绝世本领的焰众忍者虎影(斋藤工 饰)与月影(芳贺优里亚 饰)坠入爱河,后者更怀上了虎影的孩子。然而焰众首领东云幻斋(椎名英姬 饰)绝不允许手下有这种叛逆之举,于是对二人进行严刑拷打。在遭受了残酷的折磨后,虎影夫妇一路逃亡,最终在某个偏远山村落脚,和他们的儿子孤月过着与世无争的平凡生活。这一日,东云派出忍者前往耶严藩偷窃金银秘卷,谁知却遭遇对方殊死抵抗,最终只拿到了银卷。为了得到金卷,东云找到虎影夫妇,并且绑架了二人的儿子来要挟他们潜入耶严城。 为了营救最爱的孩子,夫妇俩只得再入血雨腥风的江湖,投身于连绵不断的忍者大战之中……
神秘慈善家
蒂娅·希尔卡,马克·格拉齐尼,查德·康奈尔,布列塔尼·德里斯代尔,马克·卡马乔,Elana Dunkelman,Stefanie Nakamura,多梅尼克·迪罗萨,Kenny Wong,丹妮拉·桑德福德,罗伯特·克鲁克斯,Nick Walker,Scott Humphrey,凯利·霍普·泰勒,Edem Nyamadi,Sabrina Baribeau,Claudia Tiseo一位神秘的大善人(又名“神秘慈善家”)将十万美元现金随机放在多处纽约人家的门廊上。纽约市电视新闻记者凯特·布莱德利(蒂娅·希尔卡饰演)决定追查神秘慈善家的真实身份和动机,没想到自己的人生也因此发生翻天覆地的变化。
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
嗨,妈妈!
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
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