剧情简介
小敏和姐姐住在一起，姐姐是一个模特,一天，有一个套丝袜的歹徒突然闯入这两姐妹的家，先是绑住了姐姐，然后又在姐姐面前丧心病狂地侮辱了小敏。后来在姐姐的支持下，小敏鼓起勇气和姐姐一起去警察局报案，但警方迟迟捉不到凶手，于是剧情於此发生...
为你推荐
塔米·菲的眼睛
杰西卡·查斯坦,安德鲁·加菲尔德,切莉·琼斯,文森特·多诺费奥,马克·怀斯特拉克,山姆·贾格,路易斯·坎瑟米,加布里埃尔·奥尔德斯,弗瑞德里克·林恩,钱德勒·海德,杰伊·胡古雷,格兰特·欧文斯,柯莉·坎帕尼,杰丝·威克斯勒,林赛·艾利夫,兰德尔·P·海文斯,Joe Ando-Hirsh,德鲁·布罗德里克,布伦特·莫雷尔·加斯金斯,Tanya Jacobson,小唐纳德·诺里斯,Dan Johnson,Michael MacCauley该作品改编自2000年同名纪录片，讲述塔米·菲（杰西卡·查斯坦 饰）和吉姆·贝克（安德鲁·加菲尔德 饰）这对夫妇作为电视福音布道家的大起大落。在上世纪70-80年代，塔米·菲和吉姆·贝克从贫寒中奋起，创建了当时世界上最庞大的宗教广播电视网和一个主题公园，他们传递的爱、接纳和繁荣的主题受到人们的尊敬。塔米 · 菲以她夸张的睫毛，独特的歌声、以及她热情拥抱各行各业的人们而成为传奇。不过好景不长，经济上的不当行为、诡计多端的竞争对手以及性丑闻的爆发使得这对夫妇的婚姻破裂，导致他们精心构建起来的帝国开始崩塌。
百夜楼
范明,王珞嘉,魏晓璇,楼南光,九孔民国年间，马文才、张小猴师徒混迹南方做一些冒充高人的骗人勾当，意外卷入一场凶杀案，被误当做杀人凶手。为解除嫌疑二人不得不留在此地揪出真凶。接二连三的怪事儿似乎证实了之前不详的传闻，张小猴发现近日的种种遭遇竟和一个困扰自己多年的梦境有关。
换皮
瑞贝卡·福斯蒂,露西·阿伦,芭芭拉·克兰普顿,Sean Knopp,阿德南·马拉尔年轻漂亮的凯拉得了一种奇怪的疾病，她的皮肤开始老化，干裂和瓦解。当她发现她可以用别人的皮肤来替代自己的皮肤时，她必须做出选择，看着自己的躯体枯萎死亡，还是屈服于诱惑，不管代价如何。
错误指控
莱斯利·尼尔森,理查德·克里纳,凯莉·勒布洛克,美琳达·麦格劳,麦克尔·约克,桑德拉·伯恩哈德,艾伦·坡尔,本杰明·拉特纳,杰拉德·普伦科特,邓肯·弗雷泽,John Walsh,Chick Hearn,玛丽·布莱克,阿莱克斯·迪亚坤,阿德里安·多瓦尔,埃莉·哈维,Charles Payne,帕特·普罗夫特,薇娜·苏德,比尔·塔尔林,Shari Lewis一次演奏会上，小提琴家瑞安（莱斯利•尼尔森 Leslie Nielsen 饰）邂逅了美艳妇人劳伦（凯丽•勒布克 Kelly LeBrock 饰），劳伦对他大抛媚眼，吓得瑞安不知所措。联合国秘书长罗伯特将到哥伦比亚作反恐演讲，劳伦的丈夫希宾负责安排一切。这天瑞安收到了劳伦的邀请，并注明如果他不前来她将自杀。揣揣不安的瑞安如约来到了劳伦的别墅，却发现希宾早已倒地身亡。突然，一名独眼独臂独腿的男人出现将瑞安击晕了。 当瑞安醒来后，他已被警察抓了起来，荒谬的是，瑞安谋杀希宾的罪名成立了。尽管他一再分辩，但他还是被押往监狱。途中囚车意外翻下了山崖，大难不死的瑞安开始了亡命天涯，他一方面要逃避追捕，一方面要设法找证据还自己一个清白！
修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里故事发生在1956年的法国，一名牧师惨遭谋杀，某种邪恶正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 饰）将再次与鬼修女瓦拉克（邦妮·阿伦斯 Bonnie Aarons 饰）展开正面对决。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
舞台恐吓
明妮·德里弗,米特·洛夫,艾莉·麦克唐纳,道格拉斯·史密斯,肯特·诺兰炎炎夏日，一辆辆黄色的校车载着热爱歌唱和舞蹈的青年男女来到了一处郊外的夏令营。孩子们兴致勃勃，渴望在这里尽情释放对音乐的热爱。今年年轻导演阿特·盖茨雄心勃勃，决定将十年没有排演过的经典名作《歌剧魅影》搬上舞台。这一消息，令在厨房帮厨的卡梅拉（艾莉·麦克唐纳 Allie MacDonald 饰）和巴迪（道格拉斯·史密斯 Douglas Smith 饰）深受触动。原来十年前，姐弟俩那身为著名歌剧演员的妈妈在《歌剧魅影》的演出后被人杀害。该事件让他们封闭了自己，可是卡梅拉无法抑制心底对歌唱的渴望，终于她鼓起勇气报名参加了女主角索菲娅的遴选。然而伴随着她走向阳光，十年前那个恐怖恶魔似乎也从沉寂中醒来…… 本片根据真实事件改编。