播放通道
详细简介
热门影视 大家都在看
假如比尔街可以作证
琪琪·莱恩,史蒂芬·詹姆士,雷吉娜·金,科尔曼·多明戈,泰柔娜·派丽丝,迈克尔·比奇,安洁纽·艾莉丝-泰勒,埃博妮·奥西迪安,多米妮克·索恩,迭戈·卢纳,芬·维特洛克,艾德·斯克林,艾米莉·里奥斯,佩德罗·帕斯卡,布莱恩·泰里·亨利,玛西娅·让·库尔茨,戴夫·弗兰科,马科·查卡,费斯·洛根,桃乐丝·麦卡锡宇杀员
Shannon Hutchinson,Vito Trigo,Jasmina Parent披萨电影
伽塔·马塔拉佐,莎拉·谢尔曼,露露·威尔逊,肖恩·吉布朗尼,马库斯·斯克里布纳,凯莱布·希伦,佩顿·伊丽莎白·李,小克里斯·施密特,杰克·马丁,Shiv Pai,Adam Herschman,瑞安·米乔,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia加州套房
简·方达,阿伦·阿尔达,玛吉·史密斯,迈克尔·凯恩,沃尔特·马修穿越爱情线
叶灏基,关嘉敏,许俊豪,陈康琪巴勒斯坦36
杰瑞米·艾恩斯,罗伯特·阿拉马约,利亚姆·坎宁安,比利·豪尔,克里斯托弗·维利尔斯,西娅姆·阿巴斯,萨姆·霍尔,雅丝敏·艾玛斯利,尼古拉斯·莫斯,Mo'min Swaitat,萨莱·巴克里,尤娜·马尔万,达弗·阿比丁,索菲亚·达努,Aya Khalaf,Joanna Arida,乔治·斯梅尔,卡梅尔·埃尔·巴沙,亚当·劳伦斯,亚亚·马黑尼同类推荐
临时家族
张双利,盛朗熙,李洛伊一个陷入瓶颈期的女演员，一个北京胡同孤僻老炮。一个姥姥带大的熊孩子，一个失败中年男人。这分别来自北漂，留守，离异，孤寡的四个人因为一场骗局被迫组成临时的完整家庭。自此上演一段鸡飞狗跳、笑泪交织的人间悲喜剧。他们在理想与现实中困顿，在希望与孤寂里挣扎。在这临时的亲情里回望各自真正的血缘。而在欢声笑语的身后，又有多少不为人知的伤心往事..
神探忠犬2：狼之城
艾伦·艾克哈特,坦娅·范·格拉恩,卡尔·桑宁,多米尼克·马厄,杰西卡·雷·斯坦利,莫特西·泰卡泰卡In “Muzzle: City of Wolves,” Jake Rosser (Eckhart), haunted by PTSD from his days as a K-9 officer, endeavors to lead a peaceful life with his family and retired K-9 companion, Socks. But the tranquility quickly dissolves when a ruthless gang targets them in a brutal attack. Determined to protect his loved ones, Jake and his new K-9 partner Argos delve into a violent underbelly of crime where Jake confronts corrupt officials, uncovers a perilous drug trafficking ring and battles his own inner demons.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
三个神探与喀尔巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法尔,Mapi Plácido,Filip Schnack...
假日旅馆
平·克劳斯贝,弗雷德·阿斯泰尔,玛乔丽·雷诺兹,弗吉尼亚·戴尔,沃尔特·艾贝尔,路易丝·比弗斯,欧文·培根影片由一系列音乐片断构成，由擅长歌舞巨片的马克·桑德里区执导。其中每一首插曲都以美国的节假日为线索，又都巧妙地集中到一对情敌的身上。本片获1943年第15届奥斯卡最佳编剧和最佳音乐奖提名！一家开设在公路边的旅馆，两个年轻的合伙人哈迪和海诺沃同时爱上了一位姑娘。海诺沃（由著名舞蹈家弗雷德·阿斯泰尔饰）尽管在爱情的追逐中连连占先，但最终还是败给了哈迪（由著名歌星宾·克罗斯比饰）。哈迪是位酷爱音乐的懒散的人，他退休回到新英格兰农村，每逢节假日，他的农场就成了娱乐总会……