有毒的欲望上瘾
2014年度最新韩国限制级影片；它的存在是为了保护我，直到永远。 但是，人们不相信它。 心理医生俊唱;的座右铭 缓解心脏和头脑;下运行。他遇到了一个很酷的当家病人的心灵不能被清除任何明显的伤口。在过去他的妻子被强迫，她在他的眼前自杀。此后，他无法清洗罪，被困扰了悲伤，失眠，因为他试图寻找出致命的勾引病人的吉秀;。当他们对生活的热爱死亡，所有的人都被她从"俊唱;的诱惑保护。因此，一份请愿书作出记录谋杀事件涉及;吉洙"和当前调查 俊唱;之间的连接？ 未知的危险，爱上了！
即刻观影
剧情赏析
编辑推荐
抵挡计划
Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher一名被困在公寓里的年轻人，门外有一群恶魔，他必须找到一种方法度过夜晚，逃离213号公寓。
杀的就是你
莎姬·贝兹,汤姆·费尔顿,帕特丽夏·阿奎特,海瑟·格拉汉姆,米哈拉·赫罗德,佩特逊·约瑟夫,阿曼多·里维拉,达伦-迈耶,克里斯·范·伦斯堡,盖布·加布里埃尔,梅根·亚历山大一个从事打扫工作的女子为纽约一座摩天大楼中的富人家工作，却被告知这里有一个供奉撒旦的邪教，每个月要杀一个人作为祭品，“今晚，选中了你……”
全力奔跑
河锡辰,金多贤,李信永,尹书彬曾是韩国最快短跑选手的姜九荣（河锡辰 饰），因伤病、离婚、负面传闻陷入生涯低谷，面临退役危机，只剩最后一次机会挽回挚爱、重拾荣光；同时，热血高中生姜胜烈（李信永 饰）为追求心仪的女孩智恩，踏上短跑之路全力冲刺。两代跑者的人生在赛道上交集，在速度与热爱中完成自我救赎，致敬韩国田径的尘封纪录。
青石镇传说
曹卫宇,李培铭,胡亦瑶,张璐瑶,高凯在女儿青兰频繁发作邪病、不断重复诡异儿歌的困扰下，风水师豪哥(曹卫宇 饰)与码头工人阿坤、记者大伟一同踏上了前往青石镇的探险之旅。在这个风水布局精巧、却气氛诡异的小镇上，他们不仅发现了青兰的姐姐红莲的命运，还揭开了镇上隐藏的惊天秘密。
龙口走蛟
备案单位爱奇艺影业(重庆)有限公司 梗概：龙口镇近来怪事不断，外乡人青云子和张不平游历至此，意外卷入神秘事件当中，他们最终揭开真相，守护了龙口镇的安宁。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster